
A world where everyone has higher intelligence and better taste.
We wanted everything to look human and analog, because we believe that human-made is always going to be the true luxury. But for Mina to truly stand as the higher intelligence for brands that can't use AI, she needs to be perceived as humanly as possible too.




In a market full of AI tools, we wanted Mina to never be perceived as another hard-to-use tool, but rather as the higher intelligence we never thought we needed. That was our position before the development process even started, and it is why it took three years to build Mina's thinking layer.

We argued a lot about how Mina should sound. Some of us thought she should be corporate and formal, others suggested something whispering and calm, almost discreet, to mirror an elevated feel. But Madani insisted on a "sassy", girlish tone that makes you feel connected straight away, like she was some instagram model instead of being a machine. That is where the idea of selling matcha as AI tokens came from 🍵








We have all heard it, after sharing some of Mina's imagery over the past six months, that it feels like too much, that it feels over-edited. We say Mina has a curated library, and we noticed that few brands actually use it. That was deliberate, for one reason: we wanted Mina to catch the attention of luxury, of Dior, Prada, Tom Ford, Loewe. That is why her main imagery is editorial still life, made by her.


Motion is part of Mina's brand identity. We made it so subtle you will not notice it, but it is there: a tiny push in, a small fade, a blur in and out. Those are also part of Mina's interactive design, along with small feedback animations when you hover an icon or a pill.





Mina exists to give brands intelligence with taste. Mina closes the gap between what is generated and what is worth publishing.

Client
Mina is an AI-creative agent for marketers, content creators and brand owners. Mina generates creative product images, videos campaigns, and daily content for instagram and tiktok.
Project Scope
Brand Strategy, Market Position, Tone & Voice, Creative Direction, Logo Design, Brand Identity Design, Motion Design, AI Design, interactive design, Sound Design, UI/UX Design, Iconography, Web Development, Copywriting, Project Management, Account Management
Falta Unit
Creative Lead: Madani
Motion Designer: Yassine Weskawa
Graphic Designer: Moetaz Gharbi,
Content Manager: Mohamed Njeh
Media Manager: Islam Omrani
Senior Developer: Bilel Basly
Server & Backend Developer: Mohamed Turki
Full Stack Developer: Abderahman Magdoud
Fonts
Schibsted Grotesk by Bakken & Bæck,Henrik Kongsvoll
PP Fragment designed by Panagram Panagram foundry